Digital and gender divide

People have the circumstances.

Machine learning is everywhere. But access to hardward, software and processing data is still someting that might be limited.

Music, arts, science, health,… everything will change.

Deezer. No AI training. Identify AI generated music. Plagarism.

Spotify.

Tricksters.

The algorithms are based on clicks.

Pushed artificially with bots.

Spotify demanding money back.

AI generated.

Ben Gaya. Created by an agency in Germany. What does it mean for other artist? AI will work with what it’s given. Ideas are at the bottom.

Commonly available tools. Midjourney. Relatively easy to generate a good final product.

Another tool: summer.

Who owns the song? The creator, he company, the artist who’s voice was plagerised.

North and south bias. What sort of infrastructure do I have access to? Could I make use of it to provide a scope for transformation elsewhere? Everywhere?

Poland and cinema

Kristof Kieslovsky

I didn’t know he was dead. He died young.

Age 0 to 100

What is important to you?

World of documentary.

Influence of filmakers.

Narrative cinema.

Documentary filmaking. Too difficult. To burdensome. The responsability for their subjects.

Camera.

Grew out of a documentary. Expecting a child. Passion for documentary.

Bez konca.

Le decalogue.

The world recognize him as an artist.

10 feature films.

Different cast.

Only one recurrent role.

Differente cinematographers.

One year a na a half.

Series much wides: what matters, who do we want to be.

Ein kurzer.

Tu ne tueras.

A film establishment. He never changed.

Juliet Binoge.

The double life of Verinique.

Blue, Blanche, Rouge.

Profound questions.

New York, Indonesia,…

Died in 1996.

Sudden passing. Audiences with questions that are still unanswered.

Blue. Golden lyon in Venice. Listen, I’m not talented. I’m simply hard working. I just write. It’s clear how hard he worked. Worked consumed him.

3 films at the same time. Three colors. Quickly. Thre crews at the same time.

Die at 54.

One of the great poets of cinema.


Andrzej Wajda.

I don’t make films for public opinion, but truth.

Began as painter. As a painter wouldn’t make it.

The very first years of the films. He became part of the group.

Impression of the world.

Kanal.

Ahses and diamonds.

Was a filmakers.

L’uomo di marmol

Man of marmol.

World full of propaganda and compromise.

First screen test. This invitation.

Poland and poles.

A role with Wadja.

Man of Marble.

Men of iron.

Akarak

He’s a master. Make films with his heart.

Thrown to the screen. Sketeched. It would always be a story.

Love your actor.

He had problems with love.

2»’ honorary oscar.

Walesa. man of hope.

Scorcese chose his films as most important.

Wadja is the master.

Began after the world.

From Cannes to Oscar to Berlin.

He loved to write.

Giving people something fresh.


Roman Polanski

Personal bond with every world.

Human nature and social mechanisms.

Quickly started his career.

Driven by war.

His family scaped from the geto in Krakow.

He survided it. His parents did not.

He wanted to be an actor.

He was not to be forgotten.

He had talent.

Two man and a worthrobe. Polish short films.

Carrer international.

Polanskis plan

Kes a viz-ben

Knife in the water.

Legend: Komoka threw an ashtray during the screening.

Sailboat. Yathc. Psicological thriller. Three people who don’t like each other.

Polanski was forced to make the rest of the films outside of Poland.

They couldnt’ belive the sotry, the critics.

das messer in waser.

El cuchillo bajo el agua.

American genre.

Chinatown.

Polanski couldn’t continue his carrer in America.

Few could compete.

FOrced him to work in Europe.

Genre cinema.

5 minutes in Tarantinos Once upon a time in Hollywood.

Rosemary’s baby.

Mia Farrow.

These are esential references.

New wave of horror.

Adore his vampires.

The pianist.

Huge impact in world cinema. Critical moment in history. Adiran Brody is essential.

His films in the 1970s don’t age.

They were professionals telling specific stories. Archetipes connected to antiquity. That is timeless.


The three masters of polish cinema: global audience. Inspiring succesufl generation fo filmakers.

El despertar del ser: to Bë

To Bé or not to Bë

Dificilmente una frase tan remasticada puede generar más interpretaciones. El teatro inglés ya ha hecho lo suyo en una gala en la que vimos actuar a un rey de verdad. Entiéndase la ironía.

La ficción y la realidad son espejos de dos dimensiones separadas por un espejo, un agujero negro, un espacio gris, algo que en un momento dado no se toca, pero como si se tratara de una relación cuántica, se afectan mutuamente, como sin queriendo, o justo alrevés.

Justo alrevés es el camino.

Lo tengo claro desde hace mucho tiempo. Las cosas requieren de un discurso que nos permita asisitir a una dirección ortogonal. Aquí se ha venido a construir un estado mental, tanto individual, como lo más amplio del entendimento colectivo, por el simple hecho de permitir unas reglas NEW que reinterpreten nuestra relación con el resto de los nueve grandes factores primordiales:

  1. La primera
  2. La segunda
  3. La tercera
  4. La cuarta
  5. La quinta
  6. La sexta
  7. La séptima
  8. La octava
  9. La novena

Podría haber etiquetado esos factores. Les podría haber dado un valor. Y puede que hasta lo haya hecho en el pasado. No ahora. Estamos ante una posibilidad inabarcable.

Vamos a ver.

Es un ejercicio NEW.

¿Y qué quiere decir eso?

Las preguntas que se hace un lector a lo hasta aquí dicho

Podríamos estructurar la metaestructura de una manera distinta.

Por la posibilidad de pensar otros escenarios colectivos cooperativos emergentes.

¿Por qué no?

¿Usted qué opina?


Una cosa es opinar.

La otra cosa es querer formar parte de un movimiento.

A título personal sólo estamos nosotros, aguantando nuestro estandarte.

¿Usted sabe lo que es un estandarte?

Ha sostenido usted alguno en sus manos pensando: este palo y esta tela me representan.

Una cosa es pensar; otra decir.

Yo voy dejando disyuntivas.

Y vamos a aportar conocimiento compartido.

Una especie de agora reconstituida.