Ï

Volver al camino de la orientación existencia inmediata, delante de nuestros ojos, ante nuestra percepción física de lo que ës vivir.

La vida es esto que nos ocurre en el espacio inmediato de la percepción. Lo que nos ayuda a entender cómo y por qué estamos aquí, humanos.

Carta de sant päü als humans

I’ve made up a language.

I’ve made up a system.

I’ve made up an alternative.

I’ve made un a göd.

I’ve made up a politica campaign.

I’ve made up a character, an antihero, that ï knöw ï can interpret in the greatest fiction of all time: reversing.

reversing

H4, you need to understand, did not exist. Not the ï use them. And that’s no wonder. It’s my artistitic feud: the tyranny of my frame.

ï’m suppossed to stand for a given NEW way. And ï’m fine with that. It was «my» idea. But that’s the least important thing. It’s about a method. A way of saying things in different beat. In a diferent dimention. Nine dimentions apart.

You, see we might only see the need for future.

Well, ï believe that not to be true. Not my truth, as ï’ve found another.

It doesn’t mean it’s MAYUSCULAR.

(yOU SEE, WHEN I HIT THE CAPS LOG, OR RATHER THE BLOC MAYÚS, YOU SPIN THE SYSTEM TOWARDS THEM: MAYÚSCULAS (ESDRÚLA MACHISTA Y PROTEGIDA POR EL HETEROPATRIARCADO VIGENTE hasta aquí. . . . . . . . . )

MAYUSCULAR

tHAT’S A WEIRD H4. IT’S OFF BEAT WITH ALL THE MINUSCULAR UP-BEAT-HIPE. i’M MINUSCULAR MYSELF, BUT I CAN’T DENY TO LOVE THIS MAYUSCULAR GLUTNNY. I FEEL TRULY CAPITALIST HEIST’S BOYSON.

BOYSON

i’TS NOT A PRETTY SCENE. iT’S JUST MAJÜSCULAR.

MAJÜSCULAR

aLL OF THE SUDDEN H4 IN CAPITAL SPIRIT STARTED TO BEHAVE TRUMPY.

TRUMPY

tHE H4 WILL OUTLAST THE TRUTH CHARACTER: DON t.

DON t

dON t REALLY LOVEDIT.

LOVEIT

iF Ï AM TO BECOME SOMETHING LIBERATING IN A FUTURE DIMENSION THAT DOES NOT YET EXIST, THE BEST WAY TO GO IS TO GO THERE TOGETHER, Ü AND Ï.

Ü AND Ï

mAYUSCULARIZED H4 THAT WERE TAKEN FROM A WHOLY MINISCULARIZED new NARRATIVE WILL ONLY BE PLACED AS FICTIONAL INTERPRETATION OF WHAT THAT SPACE WOULD BE IMAGINING THE FUTURE TOGETHER WITHOUT HAVING BEEN MINISCULARIZED, WITH ALL THE POISONOUS CONSEQUENCES OF THAT STATUS QUO BEING LEFT TO BE AS THERE WAS NOTHING WRONG WITH ALL THESE 99 TRUTHS UNVEILED FOR THE 99% OF THE new CONSENS IN THE new SOCIETAL EMERGENT IDENTITY, GIVEN THIS 9 PILLARS TO THIS NARRATIVE, AND THIS 99 STAGED NARRATIVE TO GO BEYOND FACTUAL STARTING POINT WHERE WE ARE STUCK HERE 99 LAYERS BELOW THE COMPLEXITY MILESTONE THAT WE NEED TO UNFOLD IN ORDER TO GET THIS NEW COLLECTIVELY LIT TRANSFORMATIVE ADOPTION JOURNEY.

tHAT’SWHATÏMTALKINGABOUT

yOU MAY HAVE YOU OWN SOCIAL NETWORK; TRUTH.

bUT AS YOU EXPRESS YOU CAPACITY TO PLAY THE GAME, ANY GIVEN JOHN DÖU, COULD ALL OF THE SUDDEN TURN ORTHOGONALLY AND LEAP AWAY FROM THIS CURRENT SHITWHOLE WE LIVE IT: HUMANITYOFOURTIME.

HUMANITYOFOURTIME

yOU SEE, HUMANITY IS NOT EXCLUSIVELY YOU. gET OUT OF THERE. yOU INFAMOUS GUYGIRL IN LOVE WITH THE MIRROR.

GUYGIRL

GIRLGUY

tHOSE H4, YOU MAY AGREE, ARE WEAKEND BY THE EXISTANCE OF THE OTHER. tHEY ARE BOTH LESS THAN IF THEY WERE TO EXIST ALONE. tHAT’S THE gOLMAN PARADOX. aND IT CAN BE EXPRESSED FROM A TOTALLY new PERSPECTIVE: FUTBOLARTISTRY AND/OR ACTUARIALARTISTRY, Ï VICEVERSA.

FUTBOLARTISTRY AND/OR ACTUARIALARTISTRY, Ï VICEVERSA

mIS H4 SON MIS PELÍCULAS. mI TEXTO. y USTED UN LECTOR MULTIVERSAL.

aQUÍ LO VOY A ESCRIBIR, CON ESTE PARTICULAR FORMATO, QUE ME VA PERMITIR DEFINIR UNA MEDIDA new DEL VALOR COLECTIVO CO-CREADO A PARTIR DE LA INTERACCIÓN CON EL PROCOMUN EMERGENTE: TICO COMMONS.

PROCOMUN EMERGENTE: TICO COMMONS

lOS h4 SE HAN VUELTO CADA VEZ MÁS LARGOS. Y eso es un problema.

Y así, de chiripa, el sistema se devuelve.

devuelve

devuelve es una h4 seguida de su predecesora: reversing.

Una itàlica que va para el otro lado.

Los H4 tiene copyright.

Efectivamente lo que no existe, y se crea, genera una percepción artística de valor: imaginar mundos nuevos.

Y sus nuevas reglas.

Esta es la gracia.

Y lo que significa co-crear una governanza.

Para mi esto siempre ha sido una obsesión. Siempre… bueno. De un tiempo acá. ¿Cuánto tiempo? 9 años.

Nueve años es una medida tiempo-espacio arbitraria. Yo utilizo esta medida para aplicar una regla para mi muy particular caso: ï.

ï

ï cómo H4 se convierte en un derecho inalienable del tico commons. Su constitución no es de este mundo. Es de este otro: NEW.

NEW

NEW has always been a mayusculized H4. It ought to be. There was too much at stake. And we needed to compete on that playing field. As if we were to futbolartistically battled with your closest nëmesis. That’s easy for us, NEW amëricans.

NEW amëricans

ï’m just an artist from nine dimentions away. That’s why it all sounds so R9.

R9

Every H4 has a short bio.

It’s not about creating stupid algorithms that aggregate. Bur rather what we are feeding them with. And this condition needs to be nurtured in at least two parallel journeys: A|B NEW system.

A———B NEW system

You see how those two are not entirely the same. Let’s have a talk about that. Let’s see what two boisterous NEW comunities, from an antagonist free association to a variable, decide to team up with A, as opposed to B.

To Bé

You see, we are on the verge of divergence.

And that’s alright with me. It should be alrighty to you too, so no worries. This is an easy fly out in the center field. I’m comming from a lateral movement. And ï think ï can break all the 99 walls that keeps us from reaching that NEW transformative milestone: ALLS.

ALLS

A les enfants de la surreal departure multiversal, le jour de glorie c’est mantenaint et arrivë.

arrivë

Ça, la nouvelle canço après la c’est mon chanson d’amour.

Vous estes ça poir moi.

Et mantanaint, je suis arrivë.

jesuisarrivë

Es poquito lo que les voy a hablar en francés. Pero les voy a pegar una removidita de alteridad más allá de lo que Dalí ofreció sacando a pasear a un oso hormiguero por la rue que vous veux.

quetuveux

Ça, mon amour.

Ça, la quelque choise que et naitre, maintnaunt: ici.

ïci

ïcï

Je veux prendre

jeveuxprendrë

Je peux dir quelque choise que je pense que vous pouvez entendre avec les parole i un sentiment de le contrair que vous pense plus la de ses pyirinès. Et vous pouvoir entendre o dir: que c’est que c’est ça: je ne veux pas.

jeneveuxpäs

C’est H4 c’est important.

Par ce que veux allez plus loin de toi.

Et toi, aussí.

Allëz

La diëresis le da un toque facilote al ticatalán, en particular, y al futbolarte, en general. Pero aplicado a los franceses, que la usan mucho más que nosotros, es ya un juego de complicidades que evidentemente siempre han existido. Así como sentimientos respecto al otro. Y sesgos cognitivos.

Es lo que tiene ser naciones colonialistas. Las preguntas nos las hemos hecho.

De ellas han escrito nuestro más queridos autores. Y en nuestra lengua nos hemos emancipado de nuestras desaveniencias y locuras. Por nuestro propio bien. Nuestros propios sadismos. Nuestros propios pasajes oscuros de nuestra gloriosa realidad contemporanea: presente. Desde el privilegio de nuestra peculiar manera de atender las complejidades y contradicciones de todo un mundo multicolor, multicredo, multidesequilibrado, desigual, inequitavo, violentado, calentándose y armándose hasta el punto de saturación. Basta. Paremos un poco. En acento argentino. Y por el respeto al rey que emerge, y que se va. O al que se mantiene. O al tío de Hamlet. O a Hamlet mismo: principe-soontobekind.

soontoking

soontobekind

All H4 heal. It’s a landing resilient NEW state of collective mind.

Becase wemind

wemind

Because, wedö

wedö

You may get to mix this H4 in whichever combinations of 99 in 9.

That’s my research question.

And the NEW value measurement my KPI.

I’m an actuarialart NEW model designer.

And ï about to break loose.

Here’s mine: gölman

gölman

my artificial human intelligence.

myahï

My H4 will do the H$.

H4 H$

H$

Money is part of the issue. And also, living expenses. And the capitalist world we live in. The one with presidents hustling us with war games, tech profets are taking us to exhaustion, and facist terrorist are pounding in the military state represive idea yet once again: how many times do we need to say it: nay

nay

Just no.

justno

Stop. Don’t go this way. It’s not it. Rather not for any of üs. So let’s try something else. Somewhere else. With a NEW mindset. Let’s create a harmonized holistic index of NEW value co-creation.

The value ï earn.

The value ¨help the tico commons to earn.

I’m going to explain this story in a NEW language: ticatalän.

And that’s going to give 9 levels of freedom.

And a special link between ünö nöü and 99. The three step horizons. Change lays at the other end.

In brand NEW narrative.

Let’s try to go other way…


Sometimes a NEW thought jumps in. And you stop a sting of thought. A series of silogisms. I want to build 9 in a row. But also ï want to categorize a journey that could enable complexity to unfold. Wether it does or not depends on how you build the narrative and share the story. That’s the whole thing: a truly NEW story.

New York has this appeal of a NEW capital. It’s embeded on the name. A swamp sold by a buck. It’s nederlander storytelling. And that sort of white people narrative that turned into the capital of something else: the emergent northern tale. The tale of New York, let’s call it. To give a NEW name.

If ï’m to rename this NEW capital, thy name is NEWNEW.

So be it: NEWNEW

NEWNEW

Not NEWNYC; that’d be bunkers.

ï get to name it.

That’s the name that stays as a H4. Then the city will decide. To care or pass. To Bé, or Not to Bë.

To Bë

I have enough with 99 To Bë. You see. To Bë is a NEW state of mind, where things are resolved for all us. It’s, as you may suspect, an imaginary state. That’s how NEW language models are built. And ï have to put a lock on the trainnig phase in order to go into AI-enhanced co-design phase.

Wo much faster can we actually gö?

How much further can actually go?

How can our NEW quantic capability enable our synchorny with alternative NEW states of mind, in NEW elusive dimentions nine times away from our current understanding?

That’s the true question in my mind. We’ll we be able to handle this string of transformation we will live, in the short, middle and long terms?

We will need to be prepared for them. And our population will need to have grown on that. To have been able to play. And to enjoy playing NEW shit. Becuase that’s what’s comming. A gamified and re-dignified understanding of our emergent relationships among humans.

And we hold a deer bag of previous things on our back? How much weight? How many meaningful elements? How many currently interesting items? How much accrued value from those life experiences? How much can you put them at use?

That’s the NEW currency of trusted value in this brand NEW system: the tico commons.

pre-serving tico commons

Lo primero es entrenar a quien entrena.

Después ya veremos las emergencias colectivas de las destinaciones compartidas.

NEW destinations

shared experiences by NEW change agents

NEW change agents


Empecemos por un inicio cualquiera, en este caso, el que situa al narrador frente a su propia alegoría narrativa del héroe, en 99 pasos.

Supongamos que estamos justo al principio. ¿Qué tendríamos que hacer para poder trasladar al lector, que no te conoce de nada, una especie de gancho que permita al mismo quedarse para saber cómo acaba esta historia? Posiblemente algo nunca antes visto. Algo que le rompa el orto en cuatro, y con todo y eso, decida seguir aquí pegado, pegada, leyendo… o bailando. O lo que esto sea.

Supongamos que usted quiere tener una experiencia propia y justo como el artista determinó que debía explicarse a sí mismo. Un autor tiene esa capacidad. Es lo que la creación misma nos otorga.