Kristof Kieslovsky
I didn’t know he was dead. He died young.
Age 0 to 100
What is important to you?
World of documentary.
Influence of filmakers.
Narrative cinema.
Documentary filmaking. Too difficult. To burdensome. The responsability for their subjects.
Camera.
Grew out of a documentary. Expecting a child. Passion for documentary.
Bez konca.
Le decalogue.
The world recognize him as an artist.
10 feature films.
Different cast.
Only one recurrent role.
Differente cinematographers.
One year a na a half.
Series much wides: what matters, who do we want to be.
Ein kurzer.
Tu ne tueras.
A film establishment. He never changed.
Juliet Binoge.
The double life of Verinique.
Blue, Blanche, Rouge.
Profound questions.
New York, Indonesia,…
Died in 1996.
Sudden passing. Audiences with questions that are still unanswered.
Blue. Golden lyon in Venice. Listen, I’m not talented. I’m simply hard working. I just write. It’s clear how hard he worked. Worked consumed him.
3 films at the same time. Three colors. Quickly. Thre crews at the same time.
Die at 54.
One of the great poets of cinema.
Andrzej Wajda.
I don’t make films for public opinion, but truth.
Began as painter. As a painter wouldn’t make it.
The very first years of the films. He became part of the group.
Impression of the world.
Kanal.
Ahses and diamonds.
Was a filmakers.
L’uomo di marmol
Man of marmol.
World full of propaganda and compromise.
First screen test. This invitation.
Poland and poles.
A role with Wadja.
Man of Marble.
Men of iron.
Akarak
He’s a master. Make films with his heart.
Thrown to the screen. Sketeched. It would always be a story.
Love your actor.
He had problems with love.
2»’ honorary oscar.
Walesa. man of hope.
Scorcese chose his films as most important.
Wadja is the master.
Began after the world.
From Cannes to Oscar to Berlin.
He loved to write.
Giving people something fresh.
Roman Polanski
Personal bond with every world.
Human nature and social mechanisms.
Quickly started his career.
Driven by war.
His family scaped from the geto in Krakow.
He survided it. His parents did not.
He wanted to be an actor.
He was not to be forgotten.
He had talent.
Two man and a worthrobe. Polish short films.
Carrer international.
Polanskis plan
Kes a viz-ben
Knife in the water.
Legend: Komoka threw an ashtray during the screening.
Sailboat. Yathc. Psicological thriller. Three people who don’t like each other.
Polanski was forced to make the rest of the films outside of Poland.
They couldnt’ belive the sotry, the critics.
das messer in waser.
El cuchillo bajo el agua.
American genre.
Chinatown.
Polanski couldn’t continue his carrer in America.
Few could compete.
FOrced him to work in Europe.
Genre cinema.
5 minutes in Tarantinos Once upon a time in Hollywood.
Rosemary’s baby.
Mia Farrow.
These are esential references.
New wave of horror.
Adore his vampires.
The pianist.
Huge impact in world cinema. Critical moment in history. Adiran Brody is essential.
His films in the 1970s don’t age.
They were professionals telling specific stories. Archetipes connected to antiquity. That is timeless.
The three masters of polish cinema: global audience. Inspiring succesufl generation fo filmakers.